Irene Revell (she/her) is a researcher and curator with a long-standing commitment to multidisciplinary sound arts and their intersection with politics, especially feminism(s). She is a Lecturer on the MFA Curating at Goldsmiths, University of London. She is also currently Co-Lead of the AHRC-funded Scoring Warnings project, a role based at CRiSAP, UAL. Intersecting with Scoring Warnings, she has an interest in "score thinking," exploring expanded uses of text instruction in contemporary practices which includes the Diffraction Works project with OOR Records (Kunstraum Wachelturm, 2024; Cabaret Voltaire 2025). With Sarah Shin she is co-editor of the anthology book project Bodies of Sound: Becoming a feminist ear (Silver Press, 2024), and its associated curatorial programme.
Authors | Irene Revell
Articles on Amodern by Irene Revell
SOUND DRAWS US TOGETHER
Irene Revell and Sarah Shin in Conversation with Klara du Plessis
Irene Revell and Sarah Shin co-edited an expansive collection of over fifty contributions centring feminist sonic cultures and radical listening practices, Bodies of Sound: Becoming a Feminist Ear (Silver Press, 2024). The wide variety of contributions harmonise to produce a collective community space in the pages of the book. In “Sound Draws Us Together,” Klara du Plessis talks to Revell and Shin about their project of creating an affective space where sound can resonate thematically, but also as physical bodies of sound in conceptual allusion to its own status as signal.